Luis Parrales is an associate editor for arts and culture at The Dispatch and based in Virginia. Prior to joining the company in 2023, he worked in campus outreach and as a research associate at the American Enterprise Institute. He is a contributing editor of American Purpose and a Graduate Institute student at St. John's College in Annapolis. When he is not editing for The Dispatch, he is probably planning ahead on his Oscar predictions and ranking his top ten movies of the year.
‘The End of Race Politics’ by Coleman Hughes argues for removing race from our public and private lives.
Our arts and culture editor predicts who will win at the 2024 Academy Awards.
Our assistant editor answers your questions.
A thoughtful new comedy skewers progressive pieties around race.
Spike Jonze’s AI romance remains a timely meditation on the wonders of and obstacles to intimacy.
‘The Holdovers’ shows that privilege is real but that the divisions it creates are not insurmountable.
The American Academy of Sciences and Letters hopes to reform academia from within and from the outside.
Two-parent marriages are still key to a flourishing society.
Christopher Nolan’s film, like the Greek myth, refuses to simply glorify its protagonist.