‘The Holdovers’ shows that privilege is real but that the divisions it creates are not insurmountable.
Martin Scorsese’s latest is a model of nuanced adaptation that reckons honestly with America’s past.
A look back at William Friedkin’s 1973 film.
What a new agreement means for Hollywood and AI.
Fifty years after its release, the classic caper film showcases the best of Old and New Hollywood alike.
Christopher Nolan’s film, like the Greek myth, refuses to simply glorify its protagonist.
Greta Gerwig’s film culminates in a narrow vision of womanhood.
A look back at ‘Saving Private Ryan’ on the 25th anniversary of its release.
Wes Anderson’s latest film tackles questions of faith and meaning.
Why attacks on the classic film channel amount to more than a hill of beans.
The new movie ‘Past Lives’ delivers a refreshing immigration story.
A review of ‘BlackBerry.’
Plus: Screenwriters go on strike.
'Scream VI' can be exhilarating, but it’s ultimately a waste of potential.