Why I’m at The Dispatch

“They’ve got Goldberg and Hayes and French, and now Allahpundit, just add Williamson and The Dispatch will have the full set.” Funny thing—I’ve been hearing that from people who love The Dispatch and from people who … don’t love The Dispatch. It is the one thing they agree on.

I love The Dispatch. And, so, here I am.

Some of you may know me from National Review, where I spent 15 years, or from the Atlantic, where I spent three days, or from my earlier newspaper work, or from one of my books. I’ve done a lot of different things, but the thing I’ve always liked best is long-form reported pieces, going to places where interesting things are happening and trying to understand them and explain them. The idea is to make you say, “Huh, interesting, I didn’t really know anything about that.” In most cases, I won’t have known very much about that two weeks ago, either—whatever that is—which is fun. Someone once described journalists as “people who have the bad taste to learn in public.” And that’s what I’m here at the Dispatch to do, mostly.

I’m not going to pretend that I don’t enjoy delivering verbal beatdowns to sundry miscreants defiling our public life and institutions—or that readers haven’t enjoyed those, too, or that I’m not good at that—but that isn’t what I’m here to do. That’s the directive from Dispatch On High Such As It Is: extra reporting, hold the hot takes.

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