‘Beau Is Afraid’—Ari Aster’s bloated, brazen, and sporadically brilliant new film—could give Freud nightmares.
‘Memento Mori,’ the band’s latest album, is its most personal yet. But the songs largely fail to engage.
‘Inside’ is an intriguing film that lacks thematic depth.
'Scream VI' can be exhilarating, but it’s ultimately a waste of potential.
Noah Baumbach’s 'White Noise' is impossible to connect with.
The career of David Sylvian—a pop star turned avant-garde recluse—is rich, rewarding, and fiercely individual.
On a slow boat to Mexico with only Kiss fans for company.
‘Moonage Daydream,’ a new documentary about music’s great chameleon, is alternately enervating and exhilarating.
50 years since its arrival on the music scene, Roxy Music’s style and artistry remains unique.
Jonathan Haidt fears for the future of American democracy.